It does motion tracking, stabilization, 3D shapes, motion blurs, vector painting, scrubbable audio, 16-bit color capable depending on your NLE’s capabilities, and the ability to use other third-party After Effects compatible filters within Boris FX 10.īoris FX 10 is for the editor who needs a way to use filters not necessarily meant to be used in their particular NLE. I haven’t even scratched the surface of Boris FX 10. Here’s what it the transition looks like:
Boris fx 10.0 pro#
Once Apply is clicked, Boris FX’ 10′s separate window closes and the transition is there in my Premiere Pro timeline, in place and ready to go. If you don’t like what you’ve done, you also have a Cancel button next to the Apply button. Finally I hit the Apply button at the bottom right-hand corner of the Boris FX 10 screen.
![boris fx 10.0 boris fx 10.0](https://www.downloadpirate.com/wp-content/uploads/2018/02/BCC_box.png)
Next I delete the last keyframe under FEC Lens – 1, and click-drag the final keyframe in the bar marked Video 1 to :05 seconds, shortening my clip duration to match where I wanted the video to end. Then I go to the keyframe at :05, make my Convergence 100 – the max for this filter, and turn size to 0. This assures me of three seconds of unaltered video. I do a quick copy keyframe / paste keyframe for the keyframe at :00. I move my cursor to the keyframe at the :03 mark, adjust the Size to 100 and the Convergence to 0. Since these are Boris filters I’m working with, they have the same overlay controls I’ve become so familiar with in After Effects. I decide on a two second wipe, so I go to :05 in and add a new keyframe. A new keyframe, represented by a circle, appears on both the timeline and the timeline on the bottom of the Composite window. At the bottom of the composite window are various controls, including playback, zooming, onscreen controls, preview quality and resolution, and adding keyframes. I go into the Filters menu and choose FEC Lens. In order to see the entire height and width of the clip, I change my Zoom to around 45.00. The Boris FX UI is fairly simple to navigate – timeline on the bottom, controls in the upper left-hand window, the composition window in the upper right-hand window. Clicking it opens up the Boris FX UI in a separate window. To the right of the name is a small button marked Setup that looks like a pulldown menu. Under Effects Controls I find the Boris FX 10.0 Filter. I go to Effects, select Boris FX 10.0 filter, and add it to my Video 2 clip. In Premiere Pro I lay down the background shot on Video 1, then I add my foreground shot on Video 2. Let’s say I want to do a heavily distorted circular wipe, with heavy lens distortion. Boris FX 10 is good for many things, but my favorite is transitions.
![boris fx 10.0 boris fx 10.0](https://insmac.org/uploads/posts/2018-10/1539495482_continuum-for-ofx_03.jpg)
![boris fx 10.0 boris fx 10.0](https://www.bhphotovideo.com/images/images500x500/boris_fx_bfxe10esd_fx_10_academic_1129864.jpg)
I do most of my editing with Premiere Pro, so we’ll use this for examples. This is not the entirety of those two sets, rather Boris FX 10 comes with a sizable amount from each – 225 in all. The filters come from two other Boris products: Boris FX 10 allows editors to do slightly more complicated FX work using Boris and otherĬompatible plug-ins, without having to go to a more elaborate FX app like After Effects. 10 is an effects, rotoscoping and image processing app plug-in for a variety of non-linear editors including